Twenty years ago today, I first saw “The Blair Witch Project”. You've probably seen it too. I went into the theatre knowing just enough about the movie to spark my interest, and yes, I was fully are it was all fabrication. It turned out to be a nerve jangling experience from which I never fully recovered. Seeing the film wasn't exactly enjoyable in the general sense – 'exhausting' is a better way to describe it. Movies didn't usually shake me this way, and I left the theatre with a huge admiration for what I just saw.
My admiration steadily grew into an obsession after discovering that “The Blair Witch Project” was part of a much bigger story, all of it meticulously pieced together before the theatrical release was even concocted. More than a year before anyone took a camera into Seneca Creek State Park, these eight minutes were all the Blair Witch Project was. At that time, the movie that would come to unnerve the world was no more than a suggestion, but the story that it was a part of was already there.
Like other stories of unexplained disappearances and ghostly apparitions, the witch mythology that the creators dreamt up is haunting in itself, more so because it doesn't provide any answers. The lengths to which they went to convincingly execute upon this story is astounding to this day. I mean, they so not broke character that in a faux documentary about their faux documentary, the creators referenced the entity of the Blair Witch theatrical release as just “some scary noises in the woods at night, and a few examples of that”.
What caught me the most about this story is the steady pace in which the centuries-old witch mythology crept ever closer, then suddenly took a leap into the present day. Allowing for the just the tiniest notion that mysteries do exist in this world. Movies
Pitchfork retroactively reviewed a b u n c h of Stereolab's earliest records, which is great. Even though the band is in the process of reissuing some of their back catalog through their own Duophonic label, I don't believe these five each are part of that. And Pitchfork didn't even review all of Stereolab's early albums, because the often overlooked “Space Age Batchelor Pad Music” again is ignored. General
I never felt sure about the respawning of Sleater-Kinney. Their breakup in 2006 was a blow to the stomach – more so because I never saw them live, coupled with the fact that they quit right after releasing 2005's earth-shattering The Woods. Sleater-Kinney left behind a legacy that's out of this world. They unexpectedly returned ten years later with an album that sure was good, but didn't nearly sweep me off my feet like every single one of their previous albums did. No Cities To Love felt too polished, too calculated, even had one or two outright clunkers on it. But then again, selfishly speaking, they needed to make this album so that I'd been given a chance of seeing them live. It sure was an unforgettable experience.
Janet quitting the band, stating that Corin and Carrie are "heading in a new direction and it is time for me to move on", has left me worried that my favorite band in the world might be off to territories where I won't follow. St. Vincent, who produced the album, herself took a hard turn away from rocking the fuck out and towards highly stylized and detached albums and live shows. To be honest, that's not what I wish upon Sleater-Kinney. I like them to shred and rip it up, sheer tornado force that they are, Janet hammering on the drums. Carrie must remember admitting being afraid that "toothlessness was where we seemed to be headed in indie rock."
It's the ruthless fangs of nostalgia, of course. I don't want the days of "Jumpers" to be gone. But I also don't want to withhold Sleater-Kinney any chance of renewal – it's their call to make, their music will always mean the world to me. But maybe I can't follow them every turn they take. Thoughts
Bill Callahan's new album is gorgeous gorgeous gorgeous. His music drifted away from me since the stellar "Sometimes I Wish We Were An Eagle", which was released a stunning 10 years ago, and still is one of my favorite records ever. Callahan will be playing in Utrecht later this year, at the same venue where I last saw him. Music
I got an emergency ticket to the Best Kept Secret festival, should I not have been able to find a way into Stereolab's sold-out show at the Botanique in time. Although I suppose outdoor festivals this size aren't for me, it was great seeing Stereolab again, and Priests later that day. Their off-kilter songs sent some of the crowd out the door perplexed, but I thought they were awesome. Music
Stereolab reigned supreme in Brussels. Their show consisted exclusively of old songs, of course, because there aren't any new ones. Some of those are my favorite songs in the world. A true blessing seeing and hearing them for the first time in, for me personally, eighteen years. Music
Even after reissuing a bunch of their early compilations last year, I didn't expect the news that Stereolab, for the first time in almost ten years, would actually be touring again. This year they'll be re-releasing another bunch of their records, from 1993's landslide "Transient Random-Noise Bursts With Announcements" up to 2004's "Margerine Ecplise". If those early records are any indication of what they'll be playing live, that's something I definitely do not want to miss. Band news
After two incredible albums, 2015's Sore and last year's Heaven, Dilly Dally is currently one of my favorite bands. So great seeing them again in Amsterdam yesterday. The hurricane force of Katie Monks is truly unbelievable. Music
Residents of the US are an unlucky bunch, but at least they'll have the privilege of seeing Bikini Kill perform live for the first time since 1997. Music
I expected Mary Timony's new band Ex Hex to be a one-off, but hell no: there's a new record out in March. Music
Fireflies.nl is 18 years old today. General
In 2018 I still haven't broken out of the indie rock circle that I've been lost in for the last 25 years. The best music has guitars. The best songwriters are women. Just like it has always been. These are my favorite albums of last year:
- Yowler - Black Dog In My Path Listen to "WTFK" (YouTube)
- Frankie Cosmos - Vessel Listen to "Jesse" (YouTube)
- The Lovely Eggs - This Is Eggland Listen to "Wiggy Giggy" (YouTube)
- Lala Lala - The Lamb Listen to "Destroyer" (YouTube)
- Speedy Ortiz - Twerp Verse Listen to "Lean In When I Suffer" (YouTube)
- The Beths - Future Me Hates Me Listen to "Whatever" (YouTube)
- Dilly Dally - Heaven Listen to "Marijuana" (YouTube)
- Hookworms - Microshift Listen to "Static Resistance" (YouTube)
- Cat Power - Wanderer Listen to "Woman" (YouTube)
- The Decemberists - I'll Be Your Girl Listen to "Severed" (YouTube)
These last few months I finally found the time and inspiration to finish a few songs of which the underpinnings have been lying around for quite some years. Drawing from this unexpected rush of inspiration I even created an entirely new one, on my birthday, in the span of an hour and a half.
I can't deny feeling at least a little bit proud of those five Wolfshoek songs. They're short and sketchlike, all five together are over and done with in a little over ten minutes. But I seem to have regained the joy of making music and that's a thing that excites me. I'm looking forward to creating some more songs in the next year. Wolfshoek
And this is the ‘too long, didn't listen’ list of just my ten favorite songs, also from the least to the most noisy. Music
These are my favorite songs of this year. I figured I had to stick them in some order, so I ordered them from the least up to the most noisy. Music
A new sketch-like song that was quick to execution: “Verjaardag Thuis”. You can hear my daughter in the background. Wolfshoek
The time of year has set in where I mostly just stop listening to new records and start revisiting records from the last eleven months. So if you want to get in my year-end list, releasing your album in December means you're out of luck. General
I always thought that liking the earliest Rainer Maria records was kind of a guilty pleasure, but my favorite album of theirs got the Pitchfork Seal of Approval, so yeah. Music
I'm obsessed with Cat Power's gorgeous song “Woman”. Music